Richard Wilson

Welsh Romantic Painter, ca.1713-1782 was a Welsh landscape painter, and one of the founder members of the Royal Academy in 1768. Wilson has been described as '...the most distinguished painter Wales has ever produced and the first to appreciate the aesthetic possibilities of his country.' Wilson is considered to be the father of landscape painting in Britain. The son of a clergyman, Wilson was born in Penegoes, Montgomeryshire. The family was an old and respected one, and Wilson was first cousin to Charles Pratt, 1st Earl Camden. In 1729 he went to London where he began as a portrait painter, under the apprentership of an obscure artist, Thomas Wright. From 1750 to 1757 he was in Italy and adopted landscape on the advice of Francesco Zuccarelli. Painting in Italy and afterwards in England, he was the first major British painter to primarily concentrate on landscape. He composed well, but saw and rendered only the general effects of nature thereby creating a personal, ideal style influenced by Claude Lorrain and the Dutch landscape tradition. According to John Ruskin, he "paints in a manly way, and occasionally reaches exquisite tones of colour." He concentrated on painting Italianate landscapes and landscapes based upon classsical literature, but when his painting The Destruction of the Children of Niobe (c.1759-60) won high acclaim he gained many commissions from wealthy families seeking classical potrayals of their estates.


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Richard Wilson The Temple of the Sybil and the Campagna, oil


The Temple of the Sybil and the Campagna,
Painting ID::  75958
The Temple of the Sybil and the Campagna,
The Temple of the Sybil and the Campagna, c. 1765, oil on canvas painting by Richard Wilson, Kimbell Art Museum. cjr
   
   
     

Richard Wilson Portrait of Francesco Zuccarelli (1702-1788), Italian painter oil


Portrait of Francesco Zuccarelli (1702-1788), Italian painter
Painting ID::  78061
Portrait of Francesco Zuccarelli (1702-1788), Italian painter
1751 cjr
1751 cjr
   
   
     

Richard Wilson Landscape Capriccio with Tomb of the Horatii and Curiatii, and the Villa of Maecenas at Tivoli oil


Landscape Capriccio with Tomb of the Horatii and Curiatii, and the Villa of Maecenas at Tivoli
Painting ID::  84376
Landscape Capriccio with Tomb of the Horatii and Curiatii, and the Villa of Maecenas at Tivoli
Date 1754(1754) Medium Oil on canvas Dimensions 99.1 x 134.5 cm (39 x 53 in) cjr
   
   
     

Richard Wilson Meleager and Atalanta oil


Meleager and Atalanta
Painting ID::  89165
Meleager and Atalanta
c. 1770(1770) Medium oil on canvas Dimensions Height: 1,045 cm (411.4 in). Width: 1,295 cm (509.8 in). cjr
   
   
     

Richard Wilson Hounslow Heath oil


Hounslow Heath
Painting ID::  89869
Hounslow Heath
1770(1770) Medium Oil on canvas Dimensions 43 x 53 cm cjr
   
   
     

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     Richard Wilson
     Welsh Romantic Painter, ca.1713-1782 was a Welsh landscape painter, and one of the founder members of the Royal Academy in 1768. Wilson has been described as '...the most distinguished painter Wales has ever produced and the first to appreciate the aesthetic possibilities of his country.' Wilson is considered to be the father of landscape painting in Britain. The son of a clergyman, Wilson was born in Penegoes, Montgomeryshire. The family was an old and respected one, and Wilson was first cousin to Charles Pratt, 1st Earl Camden. In 1729 he went to London where he began as a portrait painter, under the apprentership of an obscure artist, Thomas Wright. From 1750 to 1757 he was in Italy and adopted landscape on the advice of Francesco Zuccarelli. Painting in Italy and afterwards in England, he was the first major British painter to primarily concentrate on landscape. He composed well, but saw and rendered only the general effects of nature thereby creating a personal, ideal style influenced by Claude Lorrain and the Dutch landscape tradition. According to John Ruskin, he "paints in a manly way, and occasionally reaches exquisite tones of colour." He concentrated on painting Italianate landscapes and landscapes based upon classsical literature, but when his painting The Destruction of the Children of Niobe (c.1759-60) won high acclaim he gained many commissions from wealthy families seeking classical potrayals of their estates.

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